Entries from January 2009 ↓

EXIT THE KING

REHEARSALS BEGIN MONDAY, FEBRUARY 2 FOR

GEOFFREY RUSH AND SUSAN SARANDON IN

EXIT THE KING

LAUREN AMBROSE AND ANDREA MARTIN

THE CLASSIC EUGENE IONESCO COMEDY

DIRECTED BY NEIL ARMFIELD

BARRYMORE THEATRE

PREVIEWS BEGIN MARCH 7

OPENING NIGHT MARCH 26

 

Rehearsals for the classic Eugene Ionesco comedy EXIT THE KING starring Academy® Award-winners Geoffrey Rush (Shine) and Susan Sarandon (Dead Men Walking), Screen Actors Guild Award-winner Lauren Ambrose (Awake and Sing!, “Six Feet Under”),Tony® Award- winner Andrea Martin (My Favorite Year, Young Frankenstein) and William Sadler (”Roswell,” Julius Caesar) will begin on Monday, February 2.

 

With a new translation by Neil Armfield and Geoffrey Rush and directed by Neil Armfield, EXIT THE KING will begin performances Saturday, March 7, 2009 at the Barrymore Theatre (243 West 47th Street) and open on Thursday, March 26, 2009. This limited engagement will run for 14 weeks only, through Sunday, June 14, 2009.

 

EXIT THE KING is a hilarious and poignant comedy about a megalomaniacal ruler, King Berenger (Rush) whose incompetence has left his country in near ruin. Despite the efforts of Queen Marguerite (Sarandon) and the other members of the court to convince the King he has only 90 minutes left to live, he refuses to relinquish any control.

 

EXIT THE KING will be produced by Stuart Thompson, Robert Fox, Howard Panter, Tulchin/Bartner, Scott Rudin, The Shubert Organization and Jon B. Platt.

 

The design team for EXIT THE KING includes Dale Ferguson (Set & Costume), Damien Cooper (Lighting), Russell Goldsmith (Sound). John Rodgers is the Composer.

 

Geoffrey Rush led a critically-acclaimed production of EXIT THE KING, directed by Neil Armfield and produced by Company B and Malthouse Theatre at the CUB Malthouse Theatre in Melbourne, Australia on March 28, 2007 and at Belvoir Street Theatre in Sydney, Australia on June 13, 2007.

 

Geoffrey Rush is appearing with the permission of Actors’ Equity Association.

 

Tickets are available through Telecharge.com, by phone at 212-239-6200, or 800-432-7250, online at www.Telecharge.com or in person at the Ethel Barrymore Theatre box office, 243 West 47th Street. Box office hours are Monday through Saturday 10:00am – 8:00pm and Sunday from 12:00pm – 6:00pm.

 

Ticket prices range from $66.50 to $116.50.

 

The performance schedule for EXIT THE KING is Tuesday at 7:00pm, Wednesday through Saturday at 8:00pm, Wednesday and Saturday at 2:00pm and Sunday at 3:00pm. Please note that on Tuesdays March 10 and March 24 the curtain is at 8:00pm and the Sunday, June 7 curtain will be at 2:00pm.

 

www.ExitTheKingonBroadway.com

      

BETTY BUCKLEY in BROADWAY BY REQUEST

FEINSTEIN’S AT LOEWS REGENCY PRESENTS

Betty Buckley 2008a

THE RETURN OF TONY AWARD WINNING SINGER AND ACTRESS

BETTY BUCKLEY

IN A SPECIAL NEW PROGRAM

“BROADWAY BY REQUEST”

FEATURING SETH RUDETSKY – DIRECTED BY RICHARD JAY-ALEXANDER

FEBRUARY 10 – MARCH 7

FEINSTEIN’S AT LOEWS REGENCY, the nightclub proclaimed “Best of New York” by New York Magazine, and “an invaluable New York institution” by The New York Post, continues its 10th Anniversary season with the return engagement of Tony Award winning singer and actress BETTY BUCKLEY. In an exclusive four week run of the new show “Broadway By Request” Ms. Buckley will perform selections picked by the audience from her illustrious Broadway career in landmark musicals such as Cats, Sunset Boulevard, The Mystery of Edwin Drood, Song And Dance and more. This unique evening of music, which will be different every night, will offer rare video footage and occasional special guests. “Broadway By Request” – featuring Seth Rudetsky and directed by Richard Jay-Alexander – runs from February 10 to March 7 at the Regency Hotel (540 Park Avenue at 61st Street).

“The idea of ‘Broadway By Request’ was born at Feinstein’s almost a year ago, during Buckley’s last engagement,” says Jay-Alexander. “During the run, the idea of doing something special for the late shows came up, and how the audiences had been expressing their desire for an all-Broadway program. So, we tried it and people came.” Last summer, under the guidance of Jay-Alexander – who has helped create shows for Barbra Streisand, Bernadette Peters, Bette Midler among many others – the concept of “Broadway By Request” continued, with an invitation to Ms. Buckley by the Irving Arts Center’s Dupree Theater Lyric Stage in her native Texas.

BETTY BUCKLEY won a Tony Award for her performance as “Grizabella” in Andrew Lloyd Webber’s Cats, a Tony Award nomination for her performance as “Hesione” in Triumph of Love, and an Olivier nomination for her interpretation of “Norma Desmond” in Sunset Boulevard. Her latest CD, Quintessence, is a tribute to Buckley’s eighteen year working relationship with jazz great Kenny Werner. This album is the pair’s ninth album together and is a perfect bookend to the recently released Betty Buckley 1967.

Ms. Buckley added to her critically acclaimed work the role of “Mama Rose” in the great American musical Gypsy for the renowned Papermill Playhouse. Her other Broadway credits include Lloyd Webber’s Song and Dance and the role of “Margaret White” in the cult musical Carrie, for which she was nominated as Best Actress in a Musical by the Outer Critics Circle. She made her Broadway debut creating the role of “Martha Jefferson” in the musical 1776, then performed the roles of “Catherine” in Bob Fosse’s Pippin and “Edwin Drood” in the New York Shakespeare Festival’s The Mystery of Edwin Drood. In London she starred as “Fran Kubelik” in Promises, Promises, for which she received a nomination from The Evening Standard for Best Actress in a Musical.

She also starred Off-Broadway in A.R. Gurney’s new play, Buffalo Gal, Nicky Silver’s The Eros Trilogy and Second Stage’s Juno’s Swans. She has performed the role of “Pirate Jenny” in Three Penny Opera and starred as “Marguerite Gautier” in Tennessee Williams’ Camino Real.

Her film appearances include her debut in Brian de Palma’s screen version of Stephen King’s Carrie, Bruce Beresford’s Tender Mercies, Roman Polanski’s Frantic, Wood Allen’s Another Woman, and Lawrence Kasden’s Wyatt Earp. On television, she recently finished the film Vinegar Hill for CBS. For three seasons she played the role of “Suzanne Fitzgerald” in the HBO Cable series Oz. She was featured on the Fox series “The Jury,” the USA Network series “Monk” and starred for four seasons as “Abby Bradford” in the hit series “Eight is Enough.” Buckley had starring roles in the mini-series “Roses for the Rich” and “Evergreen.”

Ms. Buckley’s CD Stars and the Moon: Live at the Donmar, released by Concord Records, received a Grammy Award nomination. She received two Emmy Award nominations for the After-School Specials “Bobby and Sarah” and “Taking a Stand”. She hosted the PBS special “The Women of Tin Pan Alley” and starred in the American Movie Classics’ Emmy Award-winning series “Remember WENN.” The Bravo network has aired a documentary about her life entitled “Betty Buckley In Concert and In Person.” She recently starred in the M. Night Shyamalan film The Happening.

FEINSTEIN’S AT LOEWS REGENCY will play the following schedule: Tuesday through Thursday at 8:30 PM. The weekend schedule presents shows on Friday and Saturday evenings at 8:00 PM and 10:30 PM. All shows have a $60.00 cover with $75.00 premium seats, both with a $40.00 food and beverage minimum. Jackets are suggested but not required. FEINSTEIN’S AT LOEWS REGENCY is located at 540 Park Avenue at 61st Street in New York City. For ticket reservations and club information, please call (212) 339-4095 or visit us online at feinsteinsatloewsregency.com and TicketWeb.com.

—————————————————-

FEINSTEIN’S AT LOEWS REGENCY

UPCOMING HIGHLIGHTS

JANE MONHEIT

“The Lovers, The Dreamers and Me”

CD Release Engagement and Feinstein’s Debut

Now – February 7

JACKIE MASON

“NOT on Broadway”

March 10 – 21

MARIN MAZZIE AND JASON DANIELEY

“Opposite You”

March 24 – April 7

——————–

FEINSTEIN’S AT LOEWS REGENCY

SUNDAY-MONDAY SERIES

 

MAGICAL NIGHTS AT FEINSTEIN’S

New York’s Top Magicians come to Feinstein’s

Sunday Nights, January 11 – February 1 and February 22 – March 29

GIANNI RUSSO

“An Evening You Can’t Refuse”

Monday, February 2

TERRY STEELE

“The Legacy of Luther”

Sunday, February 15 and Monday, February 16

LA TANYA HALL

Monday, March 16

CRISTINA FONTANELLI

Monday, March 23

JOHN TARTAGLIA

Monday, March 30

      

TONY DeSARE at The Algonquin Hotel

ACCLAIMED SINGER, SONGWRITER & PIANIST

TONY DESARE

Tony DeSare - 2008 Photo

RETURNS TO THE ALGONQUIN HOTEL

CELEBRATING THE 2009

JOHNNY MERCER CENTENNIAL WITH

“MERCER, MOON RIVER & ME”

FEBRUARY 3 – 21

NEW TELARC CD“RADIO SHOW” IN STORES 1/20

TONY DeSARE – the acclaimed singer, pianist and songwriter – will return to the famed Oak Room of the Algonquin Hotel for an exclusive three week engagement from February 3-21 with a new show “Mercer, Moon River & Me,” celebrating the centennial of legendary lyricist Johnny Mercer. In addition to classic Mercer lyrics like “That Old Black Magic,” “One For My Baby,” “Blues In The Night” and “Moon River,” he includes rarely performed numbers such as “Have You Got Any Castles, Baby?” and “The Country’s In The Very Best Of Hands.” DeSare will also perform original compositions from RADIO SHOW, his new CD from Telarc International due out January 20. The show will feature Steve Doyle on bass and Ed Decker on guitar. All shows have a $60.00 cover and $30 food and beverage minimum. All performances are at the Oak Room (59 West 44th Street, between Fifth and Sixth Avenues). Please call (212) 419-9331 for reservations.

Tony has won critical and popular acclaim for his concert performances throughout the United States as well as in Australia, Japan and Hong Kong. According to USA Today, “DeSare belongs to a group of neo-traditional upstarts stretching from Harry Connick Jr, to Michael Bublé and Jamie Cullum. DeSare covers old and newer pop and jazz standards without smothering or over-thinking the material.” Tony will also be doing a free in-store performance and CD signing at 6:00 PM on Wednesday, January 21 at Barnes & Noble Lincoln Center (1972 Broadway at 66th Street).

Johnny Mercer – hailed as one of the greatest lyricist of the 20th century – collaborated on over 1,100 songs with some of America’s foremost composers including Henry Mancini, Harold Arlen, Jerome Kern, Hoagy Carmichael and Duke Ellington, winning four Academy Awards. Also an accomplished singer, Mercer was president and co-founder of Capitol Records. He was instrumental in discovering and nurturing the recording careers of such music icons as Peggy Lee, Frank Sinatra, and Nat King Cole. His southern roots are reflected in his intelligent, optimistic lyrics that reflect the romantic yearnings, energy and personality of the American Dream.

“It was his country background that made Mercer’s lyrics so unique and powerful,” says DeSare. “Mercer was a success in big cities like New York and Hollywood, yet he wrote of wide open spaces, apple trees, birds and trains in the distance and he did it all with unmatched wit, optimism and beauty. Being a country boy myself from the farms of upstate New York, I am interested in exploring both sides of his personality.”

Radio Show – DeSare’s new CD which recaptures the magic of broadcasting’s golden age – spans several decades of swing, jazz and pop. Several eras in American popular music are tied together by the voices of radio announcers who set the tone for each individual track and the recording as a whole. Most prominent and diverse among the announcers is former “Saturday Night Live” comic and longtime radio personality Joe Piscopo. More than just a collection of period songs with clever intros, though, Radio Show offers up a historical retrospective of the intimate relationship between the music, the listener and the magic medium that brought them together.

The idea came from some old Frank Sinatra recordings in DeSare’s collection that captured the iconic singer in his early years, performing for radio broadcasts during World War II. “Radio created an atmosphere in which to frame the songs,” says DeSare. “You’d hear Sinatra, Nat King Cole, Judy Garland or any other prominent singer of the day, all singing each others songs, whatever was the hit of the week. In that same way, I wanted to create my own modern-day radio show on a record, where I could sing any song from any artist or any generation, and do it with my own arrangement. I’ve included songs from the ‘30s all the way through the ‘80s.”

The album opens with a World War II-era orchestral fanfare and voiceover intro, followed by a big band rendition of the Harold Arlen/Ted Koehler classic, “Get Happy,” a track loaded with punchy horn riffs and Hammond B3 organ. The following track, the smooth and easygoing “A Little Bit Closer,” is one of five tunes penned by DeSare – all of which fit seamlessly with the generational touchstones throughout the recording. He injects a bossa vibe into “Bizarre Love Triangle,” a piece originally recorded by New Order in 1986 and rearranged here to include jazz chanteuse Jane Monheit (both she and DeSare deliver one of the verses in Portuguese). “I always thought this song would make a great duet,” says DeSare. “It wasn’t written that way originally, but I thought that if the lines were swapped within the song, like a real conversation about a relationship, it could work really well.”

DeSare’s upbeat take on the Hoagy Carmichael/Sidney Arodin 1930 chestnut, “Lazy River,” is based on an arrangement recorded by Bobby Darin in 1961. “Darin basically rewrote the melody,” says DeSare. “Part of that song is a nod to his style, and the ending sounds a bit like ‘Mack the Knife,’ so you could say this track is a tribute to both the song itself and to Bobby Darin.” The swing version of “Easy Lover,” the 1984 pop duet between Genesis frontman Phil Collins and Earth Wind & Fire alum Phillip Bailey, presented a stylistic challenge, says DeSare. “When you listen to the original, it’s just not designed to be a swing song, really,” he says. “I just took the original melody and the lyric, and I had to reinvent everything else. My goal was to make it like a Count Basie-type swing tune.”

One of the most powerful moments on Radio Show is DeSare’s stirring rendition of Bob Dylan’s seminal protest song, “The Times They Are A-Changin’,” prefaced by a montage of quick sound bites from the decades leading up to the 1960s. “I had played that song live a few times, and it’s a really powerful statement,” says DeSare. “Dylan’s original version – one guitar, one harmonica, one voice – is very much of the ‘60s. But if you reframe the tune with piano and sing it in a different way in a different key, it sounds like an entirely new song.”

TONY DeSARE will launch an international tour with two weeks in London, then will continue on to cities such as Los Angeles, Boston, Washington DC, Seattle, St. Louis and Palm Beach. “With his dark hair, bright brown eyes and toothpaste smile that rarely fades,” raved The New York Times, “DeSare is one of the most promising young male performers. He is a Sinatra acolyte in his early 30s who sings Prince as well as Johnny Mercer.”

Tony DeSare performs with infectious joy, wry playfulness, and robust musicality. His takes on classic standards and sophisticated original compositions have earned him a reputation as one of country’s hottest young singer/pianists. His sound is romantic, swinging and sensual, but what sets Tony apart is his ability to write original material that sounds fresh and at the same time blends seamlessly with the Great American Songbook.

With a sexy, distinctive sound, Tony’s 2007 recording, Last First Kiss, spotlights a refreshingly contemporary combination of originals and standards, from Prince’s “Kiss” and Carole King’s “I Feel the Earth Move” to classics like “You’d Be So Nice To Come Home To” and Sammy Cahn/Jimmy Van Heusen’s under-recorded gem “Come On Strong.” The album also features the legendary guitarist Bucky Pizzarelli and a horn section. The CD – which debuted at #5 on the Billboard chart and #3 on the Amazon.com ranking and also #2 on the iTunes jazz chart – was featured on NPR’s “Weekend Edition Saturday.”

Want You, Tony’s debut CD, debuted at #16 on the Billboard chart when it was released in May 2005. The CD includes standards like “Two For The Road,” “Just In Time,” and “I Wish You Love,” as well as originals “Marry Me” and “How I Will Say I Love You.” He performed selections from the CD on national broadcasts of the CBS Early Show, NBC Weekend Today and Fox News Channel. Tony composed and performed the title theme to My Date With Drew, an independent documentary feature film about a guy who has 30 days and $1100 to get a date with Drew Barrymore. It has been featured on “The Tonight Show,” “The Today Show,” Playboy Magazine, Entertainment Weekly and Premiere. The movie’s theme song, “If I Had Drew,” is featured on his debut CD.

      

Jane Monheit: FEINSTEIN’S AT LOEWS REGENCY

Jane Monheit - Photo-1-credit-Randee-St -Nicholas

Photo-1-credit-Randee-St_-Nicholas

FEINSTEIN’S AT LOEWS REGENCY

PRESENTS

THE DEBUT OF ACCLAIMED JAZZ SINGER

JANE MONHEIT

CELEBRATING HER NEW CD

“THE LOVERS, THE DREAMERS AND ME”

JANUARY 20 – FEBRUARY 7

FEINSTEIN’S AT LOEWS REGENCY, the nightclub proclaimed “Best of New York” by New York Magazine and “an invaluable New York institution” by The New York Post, will continue its 10th Anniversary season with the debut engagement of acclaimed jazz singer JANE MONHEIT. Her new show – which celebrates the release of her new Concord Records CD “The Lovers, The Dreamers and Me” – runs from January 20 to February 7 at the Regency Hotel (540 Park Avenue at 61st Street).

 

“The Lovers, The Dreamers And Me” features the songs of contemporary songwriters such as Fiona Apple (“Slow Like Honey”), Corrine Bailey Rae (“Like A Star”) and Paul Simon (“I Do It For Your Love”), alongside such jazz and pop classics as Cole Porter’s “Get Out Of Town,” Jimmy Dorsey’s “I’m Glad There Is You,” Leonard Bernstein’s “Lucky To Be Me,” William C. Barnes’ “Something Cool” (the June Christy classic) and the Brazilian gem, “No Tomorrow,” by Ivan Lins. The disc, her ninth album, was produced by jazz veteran Matt Pierson.

Jane Monheit released her debut album, “Never Never Land,” in 2000 which remained on the Billboard Jazz chart for over a year and was voted Best Debut Recording by the members of the Jazz Journalists Association. Her second release, “Come Dream With Me,” came just a year later and landed atop the Billboard Jazz charts and also earned a Grammy nomination for Vince Mendoza for “Best Instrumental Arrangement Accompanying Vocals” (as did 2003’s “In The Sun” for Mendoza’s Arrangement of “Since You’ve Asked”). Monheit’s 2007 critically-lauded CD, “Surrender,” debuted at number one on the Billboard Jazz chart as well, and she continues to tour and perform in front of sold-out audiences worldwide. Said Time Magazine of Monheit, “Jane Monheit can’t miss. She has, in a word, everything.”

 

FEINSTEIN’S AT LOEWS REGENCY will play the following schedule: Tuesday through Thursday at 8:30 PM. The weekend schedule presents shows on Friday and Saturday evenings at 8:00 PM and 10:30 PM. All shows have a $60.00 cover with $75.00 premium seats and a $40.00 food and beverage minimum. Jackets are suggested but not required. The club is located at 540 Park Avenue at 61st Street in New York City. For ticket reservations and information, please call (212) 339-4095 or visit us online at feinsteinsattheregency.com and TicketWeb.com.

 

—————————————————-

FEINSTEIN’S AT LOEWS REGENCY

UPCOMING HIGHLIGHTS

TONY MARTIN

Back by popular demand

after sold-out runs in 2006 and 2007

January 13 – 17

BETTY BUCKLEY

“Broadway By Request”

Musical Director: Seth Rudetsky

Directed by Richard Jay-Alexander

February 10 – March 7

JACKIE MASON

“NOT on Broadway”

March 10 – 21

MARIN MAZZIE AND JASON DANIELEY

“Opposite You”

March 24 – April 7

——————–

FEINSTEIN’S AT LOEWS REGENCY

SUNDAY-MONDAY SERIES

 

MAGICAL NIGHTS AT FEINSTEIN’S

New York’s Top Magicians come to Feinstein’s

Sunday Nights, January 11 – February 1 and February 22 – March 29

NATALIE DOUGLAS

“A Tribute to Nina Simone”

Monday, January 19

PAT COOPER

“Live From Feinstein’s”

Variety show with special guest stars

Monday, January 26

GIANNI RUSSO

“An Evening You Can’t Refuse”

Monday, February 2

TERRY STEELE

“The Legacy of Luther”

Sunday, February 15 and Monday, February 16

KATHRYN CROSBY

“My Life With Bing”

Monday, February 23

LA TANYA HALL

Monday, March 16

CRISTINA FONTANELLI

Monday, March 23

JOHN TARTAGLIA

Monday, March 30

      

FEINSTEIN’S AT LOEWS REGENCY PRESENTS TONY MARTIN

FEINSTEIN’S AT LOEWS REGENCY

PRESENTS

HOLLYWOOD LEGEND

TONY MARTIN

OPENING THE SEASON AFTER SOLD OUT RUNS IN 2007 AND 2008

JANUARY 13 – 17

FEINSTEIN’S AT LOEWS REGENCY, the nightclub proclaimed “Best of New York” by New York Magazine and “an invaluable New York institution” by The New York Post, will continue their 10th Anniversary season with the return of Hollywood legend TONY MARTIN from January 13 to 17. After sold-out engagements in 2007 and 2008, the singer and actor will celebrate his 96th Birthday at Feinstein’s. Once again, he will perform songs from his career like “Begin the Beguine,” “Let’s Face the Music and Dance,” “You Stepped Out of A Dream” and “A Foggy Day.” He also tells stories of his days in Hollywood performing alongside such iconic names such as Fred Astaire, Ginger Rogers, Rita Hayworth, Judy Garland, Lana Turner and his late wife Cyd Charisse.

TONY MARTIN – who has gained worldwide popularity and recognition as a multi-talented, multi-faceted singer, actor, entertainer and recording artist – is one of the only entertainers to have four “stars” on Hollywood’s legendary “Walk of Fame” for his heralded work in motion pictures, television, radio and recordings. As an actor, Martin also appeared in more than 20 classic Hollywood films, including “Show Boat,” “Til the Clouds Roll By,” “Here Come the Girls,” “Easy to Love,” and “Hit the Deck.” He is respected as a singer and recording artist. Some of Martin’s top sellers include such hits as “Begin the Beguine,” “To Each His Own,” “I Get Ideas” and “There’s No Tomorrow.” He became a household television name to millions of viewers as the star of his own hit variety series, “The Tony Martin Show,” in the 1950’s. He also led his own radio orchestra on a two-and-a-half hour popular radio show every Saturday night. He diversified his radio popularity by playing Grade Allen’s boyfriend on “The Burns and Allen Show.”

He was born in Oakland, California on Christmas Day as Alvin Morris. He started singing at his mother’s sewing club as a young boy, and began mastering a number of musical instruments, including saxophone and clarinet. He eventually formed his own dance band and began playing various gigs professionally. They say timing is everything. And it certainly held true that serendipitous night when a Hollywood agent heard Tony Martin singing on a late night musical show and offered him a chance to try his luck in Hollywood. Martin had the look, the voice, and the charisma to make it in “Tinseltown” and quickly landed a movie contract with RKO Studios. He subsequently found himself with contracts at 20th Century Fox and MGM Studios. His first picture was “Ali Baba Goes to Town” with Eddie Cantor and Gypsy Rose Lee.

Martin’s early years brought new life to the rising star, as well as a new name. Tony came from the name of a gambler in a story in Liberty Magazine (the People Magazine of the day), and “Martin” came from the name of the bandleader, Freddie Martin. He was married briefly to singer/actress Alice Faye, and went on to serve in the armed forces during World War II. After serving two years in China, Burma and India and being honored with the Bronze Star and Presidential Citation, Martin served on the committee for John F. Kennedy’s “People to People” Sports Program.

Martin remained married to love of his life, the elegant Cyd Charisse – whom he married in 1948 – until her passing in 2008. He continues to perform on tour and stays involved in charitable causes, including “The Society of Singers” (SOS), in which he serves as Vice President of the Board of Directors.

FEINSTEIN’S AT LOEWS REGENCY will play the following schedule for this engagement only: Tuesday through Thursday at 8:30 PM; and Friday and Saturday at 8:00 PM. All shows have a $60.00 cover with $75.00 premium seats, both with a $40.00 food and beverage minimum. Jackets are suggested but not required. FEINSTEIN’S AT THE REGENCY is located at 540 Park Avenue at 61st Street in New York City. For ticket reservations and club information, please call (212) 339-4095 or visit us online at feinsteinsatloewsregency.com and TicketWeb.com.

 

—————————————————-

FEINSTEIN’S AT LOEWS REGENCY

UPCOMING HIGHLIGHTS

JANE MONHEIT

“The Lovers, The Dreamers and Me”

CD Release Engagement and Feinstein’s Debut

January 20 – February 7

BETTY BUCKLEY

“Broadway By Request”

Musical Director: Seth Rudetsky

Directed by Richard Jay-Alexander

February 10 – March 7

JACKIE MASON

“NOT on Broadway”

March 10 – 21

MARIN MAZZIE AND JASON DANIELEY

“Opposite You”

March 24 – April 7

——————–

FEINSTEIN’S AT LOEWS REGENCY

SUNDAY-MONDAY SERIES

JULIE REYBURN

“It’s A New World”

Tuesday, January 6

MAGICAL NIGHTS AT FEINSTEIN’S

New York’s Top Magicians come to Feinstein’s

Sunday Nights, January 11 – February 1 and February 22 – Mary 29

ANDERS HOLST

Monday, January 12

NATALIE DOUGLAS

“A Tribute to Nina Simone”

Monday, January 19

PAT COOPER

“Live From Feinstein’s”

Variety show with special guest stars

Monday, January 26

GIANNI RUSSO

“An Evening You Can’t Refuse”

Monday, February 2

TERRY STEELE

“The Legacy of Luther”

Sunday, February 15 and Monday, February 16

KATHRYN CROSBY

“My Life With Bing”

Monday, February 23